I am a music historian and a Core Lecturer in Music Humanities at Columbia University. My PhD is in Historical Musicology and my dissertation “Sirens/Cyborgs: Sound Technologies and the Musical Body” (2016) explores the role of the body in electroacoustic music. I write about women composers of electronic music, sound art, new media, and issues of gender, race, and labor in experimental and popular music. I have taught courses on Music of the Western canon, non-Western music, popular music, and sound art.
Here is the September 2017 copy of my CV.